{"id":45080,"date":"2011-03-25T15:49:51","date_gmt":"2011-03-25T22:49:51","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=45080"},"modified":"2011-03-25T15:50:30","modified_gmt":"2011-03-25T22:50:30","slug":"sucker-punch-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2011\/03\/25\/sucker-punch-movie-review\/","title":{"rendered":"Sucker Punch Movie Review"},"content":{"rendered":"

Title: Sucker Punch<\/p>\n

Directed By: Zack Snyder<\/p>\n

Starring: Emily Browning, Abbie Cornish, Jena Malone, Vanessa Hudgens, Jamie Chung, Carla Gugino, Oscar Isaac, Jon Hamm, Scott Glenn<\/B><\/p>\n

High expectations can be a killer. Unfortunately for director Zack Snyder, he works extra hard to insert an insanely high outlook into every single thing that he does and lately, it seems to backfire big time. His brain is geared towards directing and visuals and that doesn’t serve him well as a writer. Whereas the basic concept of Sucker Punch<\/I> combined with Snyder’s keen eye for the visually incredible had immense prospects, it diluted the script. Spectacular imagery without a sensible and engaging story isn’t a film, it\u2019s a mere spectacle.<\/p>\n

After the death of her mother, a series of ill-fated events wrongfully lands Baby Doll (Emily Browning) in the Lennox House for the Mentally Insane. Rather than do what they can to rehabilitate her, the staff accepts a bribe from Baby Doll\u2019s sinister and greedy stepfather to lobotomize her. Just as the doctor\u2019s about to hammer his ice pick through her skull, we\u2019re whisked away to an alternate world, Blue\u2019s (Oscar Isaac) club. That\u2019s where she unites with Sweet Pea (Abbie Cornish), Rocket (Jena Malone), Blondie (Vanessa Hudgens) and Amber (Jamie Chung).<\/p>\n

While this may be a step up from the hospital, Blue\u2019s club is still very much a prison. If the girls don\u2019t dance, they serve no purpose and Blue has no trouble eliminating his excess baggage. While at first, Baby Doll can\u2019t seem to get in the groove, once she let\u2019s loose and finally dances, she discovers she has the power to not only mesmerize spectators with her techniques, but transport herself to yet another world. It\u2019s in this new realm that she meets the Wise Man (Scott Glenn) and learns that with the help of the other girls and four objects, they can all escape.<\/p>\n

Apparently we should have taken the film\u2019s tagline, \u201cyou will be unprepared,\u201d more literally. No amount of groundwork can ready you for this chaotic story. Perhaps a second viewing will clarify some plot points, but, even if one viewing doesn\u2019t exhaust you, it doesn\u2019t seem like every story element was developed to entirely make sense anyway.<\/p>\n

But let\u2019s backtrack a bit to the opening sequence. Much like the beginning of Snyder\u2019s last live-action film, Watchmen<\/I>, the first few minutes of Sucker Punch<\/I> are absolutely spectacular. It\u2019s visually stimulating and oozing with character information none of which comes through dialogue. It\u2019s perfectly paced and set to the tune of Browning\u2019s impressive and wildly appropriate rendition of Annie Lennox\u2019s \u201cSweet Dreams.\u201d Unfortunately, things slow down and get quite talky once we hit the Lennox House, but it isn\u2019t until the lobotomy that Sucker Punch<\/I> really starts to drown in its convoluted and nonsensical plot.<\/p>\n

There\u2019s no denying that Snyder isn\u2019t making this film to provide any sort of real life scenario in the least and there\u2019s nothing wrong with that. The thing is, the experience still needs to feel real while you\u2019re in the theater and that\u2019s what Sucker Punch<\/I> lacks. First off, a lot of the action is just too over-the-top. Browning\u2019s first battle scene with some massive stone samurai somewhat resembles a battle a little boy might create playing with two action figures. There\u2019s flipping, flying and landed punches that hurls our heroine back dozens of feet. Enhancing this unrealistic environment is the cartoonish setting. It\u2019s far too obvious that at least 90% of this battle is computer generated.<\/p>\n

In terms of action, things get quite a bit better in subsequent sequences. The best of the bunch is when all five ladies hit the battlefield and attempt to infiltrate a bunker. Again, the amount of bad guys they wipe out with ease is undeniably ridiculous, but at least it really feels like they\u2019re there fighting. Then again, not once does it ever feel like they\u2019re fighting for their lives. The girls are virtually indescribable. Throw one lady into a massive pile of enemy forces and they\u2019ll emerge in one piece without even smudging their eye makeup. There\u2019s no sense of suspense because you know they won\u2019t die.<\/p>\n

Back in the land of Blue\u2019s club, they aren\u2019t invincible, but that doesn\u2019t work quite well either. When they\u2019re not relying on their out-of-this-world fighting abilities, they\u2019re relying on dialogue and the script is just not that good. The film\u2019s more emotional moments are often rendered laughable by inane discourse or by plain old bad performances.<\/p>\n

In general, Baby Doll is just a lame character. All she has is her fighting ability. We get such a fantastic taste of her past in the beginning, but then Snyder abandons all character development in favor of watching his star fly around jabbing her sword through CGI enemies. In fact, Baby Doll doesn\u2019t even say much at all; Browning dons the sad eyes, sways her hips and then it\u2019s time to fight.<\/p>\n

On the other hand, Cornish and Malone have something to work with. Sweet Pea and Rocket are sisters and not only does Snyder actually take the time to develop a clear dynamic between the two, but both Cornish and Malone seize the opportunity to take that relationship to the next level and really make us feel for their characters. When something happens to these two whether it\u2019s in the club realm or in the battle world, you genuinely feel for them. Some of their more heartfelt dialogue might be a bit on the tacky side, but these two are talented enough to make most of it work.<\/p>\n

Hudgens and Chung, however, aren\u2019t as experienced and it shows. There is nothing to these two characters at all. In fact, the film could have done without them entirely. Hudgens and Chung are merely there as ineffectual placeholders, which makes what should be one of the film\u2019s most powerful moments, one of the most unintentionally hilarious.<\/p>\n

As for the folks in charge, Isaac and Carla Gugino try, but there\u2019s not much meat to their roles. Blue is far more fleshed out than Gugino\u2019s character, the therapist in the Lenox Hill realm and the dance instructor in the club realm, Vera Gorski, and that certainly works to Isaac\u2019s benefit. Gugino on the other hand, is stuck with a one-dimensional role that would be on par with that of Hudgens and Chung had it been played by a less talented actress. Kudos to Gugino and Isaac for giving it their all, but shame on them for not thinking twice about the musical number that plays during the credits.<\/p>\n

Now for Snyder. The guy certainly knows how to put on a show. Sucker Punch<\/I> is mesmerizing and, on the surface, quite entertaining. What he doesn\u2019t seem to understand is that the spectacle fades fast and when you don\u2019t have a properly structured story to serve as support, everything will eventually crumble. Nothing has the power to resonate because once you\u2019ve left the experience, there\u2019s nothing to hold on to. Sucker Punch<\/I> is good, but it\u2019s not complete. It\u2019s almost as if Snyder jumped the gun and put on his director\u2019s hat before the writing was finished and the results are underwhelming.<\/p>\n

Technical: B+<\/p>\n

Acting: B-<\/p>\n

Story: C<\/p>\n

Overall: B-<\/B><\/p>\n

By Perri Nemiroff
\n

\"Sucker<\/a>
Sucker Punch Poster<\/figcaption><\/figure><\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Sucker Punch Directed By: Zack Snyder Starring: Emily Browning, Abbie Cornish, Jena Malone, Vanessa Hudgens, Jamie Chung, Carla Gugino, Oscar Isaac, Jon Hamm, Scott Glenn High expectations can be a killer. Unfortunately for director Zack Snyder, he works extra hard to insert an insanely high outlook into every single thing that he does and 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