{"id":49373,"date":"2011-05-06T09:42:01","date_gmt":"2011-05-06T16:42:01","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=49373"},"modified":"2011-05-06T14:45:25","modified_gmt":"2011-05-06T21:45:25","slug":"there-be-dragons-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2011\/05\/06\/there-be-dragons-movie-review\/","title":{"rendered":"There Be Dragons Movie Review"},"content":{"rendered":"

Title: There Be Dragons<\/p>\n

Directed By: Roland Joffé<\/p>\n

Starring: Charlie Cox, Wes Bentley, Olga Kurylenko, Dougary Scott, Golshifteh Farahani, Rodrigo Santoro<\/B><\/p>\n

First and foremost, you should know there are no dragons in There Be Dragons<\/I>. Of course we can’t take every title literally, but when you’ve got one that pronounces a particular beast will exist, you either must deliver or provide a valid explanation for the name. Again, There Be Dragons<\/I> features no dragons, merely a weak reasoning of the title and just about everything else that happens in the film for that matter.<\/p>\n

Inspired by true events, There Be Dragons<\/I> focuses on childhood friends Josemaría Escrivá (Charlie Cox) and Manolo Torres (Wes Bentley). While both boys wind up attending the same seminary, from there, they go on entirely divergent paths, Manolo working as a spy in the Spanish Civil War and Josemar\u00eda becoming a priest and fighting to keep the faith in even the most violent times. When Josemar\u00eda is left with no choice but to abandon Madrid and flee to safety so he may see his vision of Opus Dei to fruition, Torres remains on the battlefield where he develops a dangerous obsession with a Hungarian radical named Ildiko (Olga Kurylenko).<\/p>\n

Their tale is told through the research of Manolo\u2019s very own son, Robert (Dougary Scott). Robert\u2019s writing a book about Josemar\u00eda and naturally, his primary source is his father. Initially the now old and ailing Manolo refuses to unearth the haunting memories, but once Robert opens the floodgates, his father has no choice but to confront the past so he may finally be forgiven. <\/p>\n

There Be Dragons<\/I> is an epic story through and through. There is a ton of information to be conveyed throughout an expansive time period and while some elements certainly resonate, a significant amount of information falls through the cracks, specifically in the beginning. Very little registers in terms of the introduction to Robert\u2019s assignment as well as the book\u2019s connection to his father and, by the time it does sink in, we\u2019re whisked away to Manola\u2019s boyhood. When we finally return to Robert in 1982, we\u2019ve nearly forgotten the time period and scenario existed in the film to begin with.<\/p>\n

The time warp has the same effect on the past. Once we\u2019ve finally gotten into the earlier years of Manola and Josemar\u00eda, we\u2019re transported back to Robert\u2019s story, which ultimately is the least compelling piece of the film. Had writer-director Roland Joff\u00e9 axed the more modern segment entirely, he might have been able to achieve the necessary character development to make the Spanish Civil War portion of the film far more effective.<\/p>\n

Instead, we get the incredibly weak 1982 coverage and the only semi-successful recollection of the past. One of the main problems with young Manolo and Josemar\u00eda’s tale is the structure of the presentation of their childhood. First off, it takes quite a bit to figure out who\u2019s who and, once you do, even longer to sort out their relationship and by the time you do, you\u2019re exhausted from the incredible amount of effort it takes. <\/p>\n

The next portion of the film isn\u2019t only completely flat, but wholly uninteresting and forgettable. There\u2019s some nonsense about Josemar\u00eda\u2019s family losing their business which is completely glossed over and then something about a strike that turns Manolo into this high-powered bad guy. Where as Josemar\u00eda\u2019s transformation from boy to priest is sensible, Manolo\u2019s journey from innocent boy, to obnoxious rich kid to dubious spy doesn\u2019t track in the least.<\/p>\n

It\u2019s never quite clear what he\u2019s doing until he agrees to spy on the rebels. That\u2019s when things get semi-interesting for Manolo, but that might have more to do with the stunning wartime visuals than it does with the actual story. Much of Manolo\u2019s life at the time revolves around Ildiko and it\u2019s made very clear early on that he doesn\u2019t stand a chance. In fact, right off the bat, Ildiko despises him ultimately making us dislike Manolo even more than we did before. <\/p>\n

Josemar\u00eda\u2019s portion of the film, on the other hand, is far more engaging. Not only is he more likeable, but his story is also more tangible. He\u2019s a priest that\u2019s dedicated to his people and strives to stay with them during these harsh times despite the violent threat to local priests. Josemar\u00eda has a very compelling debacle; does he stay and fulfill his promise to his followers on a local level or does he fulfill this promise by sparing his own life and continuing to spread faith? It\u2019s a trying battle and you\u2019ll want to fight for his causes as much as his associates do. Then again, those supporting characters are the weakest part of Josemar\u00eda\u2019s tale. Rather than come across as individual people, they\u2019re impossible to tell apart and are just one big blur.<\/p>\n

On the acting front, most give commendable efforts. Cox steals the show simply because he\u2019s the only one working with a well developed character, but Bentley manages to make a slight impression as the small handful of his scenes that are well-written really do hit home. Kurylenko fairs well as Iidiko as does Rodrigo Santoro as her dashing revolutionary leader and lover, Oriol. The problematic performances are secluded to 1982. Scott\u2019s inner turmoil isn\u2019t convincing in the least, making you feel as though he isn\u2019t even worthy of his father\u2019s affection anyway. Further dragging Scott\u2019s character down is his girlfriend played by Golshifteh Farahani. Farahani is just a flat out bad actress. She\u2019s a mere supporting character, yet is the most memorable simply because she destroys the illusion every time she speaks. She exhibits no connection to her character or to the story.<\/p>\n

One of the truly notable elements of this film is the imagery. With a period piece, you either pull off the visuals or you don\u2019t and in this sense, Joff\u00e9 hits a homerun. Everything from the costumes to the set design feels incredibly realistic and, on top of that, it\u2019s all simply stimulating to look at. Then again, there\u2019s just so far a pretty picture can take you; you need heart, honesty and simply enough information to fill it out and, in There Be Dragons<\/I>, those elements are hard to come by.<\/p>\n

Technical: B+<\/p>\n

Acting: B<\/p>\n

Story: C-<\/p>\n

Overall: C+<\/B><\/p>\n

By Perri Nemiroff<\/p>\n

\"There<\/a>
There Be Dragons Poster<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Title: There Be Dragons Directed By: Roland Joffé Starring: Charlie Cox, Wes Bentley, Olga Kurylenko, Dougary Scott, Golshifteh Farahani, Rodrigo Santoro First and foremost, you should know there are no dragons in There Be Dragons. 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