{"id":67223,"date":"2011-09-14T19:43:27","date_gmt":"2011-09-15T02:43:27","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=67223"},"modified":"2011-09-14T19:46:29","modified_gmt":"2011-09-15T02:46:29","slug":"8-minutes-of-the-girl-with-the-dragon-tattoo-screened","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2011\/09\/14\/8-minutes-of-the-girl-with-the-dragon-tattoo-screened\/","title":{"rendered":"8 Minutes Of The Girl With The Dragon Tattoo Screened"},"content":{"rendered":"

Upon sitting down for a screening of Rod Lurie’s Straw Dogs<\/I>, the audience got a nice surprise, eight minutes of David Fincher’s The Girl with the Dragon Tattoo<\/I>. I’d like to bet the material will hit the web soon enough, but, in the meantime, here’s a general sense of what to look forward to to the best of my recollection.<\/p>\n

The piece opens with a wintery setting. Christopher Plummer’s Henrik Vanger is holed up in a cabin on the phone with Steven Berkoff’s Dirch Frode. Vanger says, “I can’t take it anymore,” and we move to a city setting where Dragan Armansky (Goran Visnjic) is chatting it up, if I remember correctly, with Frode. Armansky says something along the lines of, \u201cShe\u2019s one of the best investigators I have,\u201d and in comes Rooney Mara as Lisbeth Salander. That other character tells her that her work is thorough, but that she never gave her opinion on the target. She calls him \u201cclean and honest\u201d and runs through a few other facts about Daniel Craig\u2019s Mikael Blomkvist.<\/p>\n

Then we see Blomkvist in the flesh. He meets with Vanger who tells him he\u2019d like to employ him to help him with his memoirs, but really, he\u2019ll be investigating thieves and murderers. That\u2019s when we move into the story of Harriet, a young woman Vanger knew a while back that disappeared.<\/p>\n

The pace picks up quite a bit from there, the piece serving more as a montage of clips, albeit still maintaining a storytelling structure. Things slow down when we catch Lisbeth speaking with a lawyer. She demands control of her money and he demands that she do something for him. He walks over, she bends down and I\u2019ll assume you can figure it out from there.<\/p>\n

The action shifts back to Plummer\u2019s character as he announces he thinks someone killed Harriet. Vanger shows Blomkvist Harriet\u2019s annual birthday gift to him, framed dried plants. (They\u2019re far prettier than I make them sound.) There are tons on the wall and as Harriet\u2019s been missing for 40 years, it\u2019s clear they\u2019re not all from her. Vanger explains ever since her disappearance, her killer took it upon him or herself to send him his yearly gift.<\/p>\n

Next up is a montage of Blomkvist doing interviews with people familiar with Harriet and her situation after which he returns to Vanger and says, \u201cI may have found something.\u201d He also notes he needs a research assistant and that\u2019s where Lisbeth comes back in. She does a little digging of her own which leads to some sort of religious connection and then the piece wraps with a wicked fast-paced, quick cutting edit that comes to a heart pounding finish.<\/p>\n

The overall consensus? As someone who\u2019s never read the books, never seen the films and has constantly complained the marketing for this movie alienates those unfamiliar with the source material, this movie is looking pretty damn good.<\/p>\n

\"The<\/a><\/p>\n

By Perri Nemiroff<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Upon sitting down for a screening of Rod Lurie’s Straw Dogs, the audience got a nice surprise, eight minutes of David Fincher’s The Girl with the Dragon Tattoo. I’d like to bet the material will hit the web soon enough, but, in the meantime, here’s a general sense of what to look forward to to 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