{"id":68315,"date":"2011-09-23T14:12:38","date_gmt":"2011-09-23T21:12:38","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=68315"},"modified":"2011-09-23T14:12:54","modified_gmt":"2011-09-23T21:12:54","slug":"moneyball-movie-review-2","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2011\/09\/23\/moneyball-movie-review-2\/","title":{"rendered":"Moneyball Movie Review"},"content":{"rendered":"

Title: Moneyball<\/p>\n

Directed By: Bennett Miller<\/p>\n

Starring: Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, Chris Pratt, Stephen Bishop, Nick Porrazzo, Kerris Dorsey, Reed Thompson<\/B><\/p>\n

It’s pretty obvious that the sports genre has a tendency to revel in formulaic inspirational storytelling. But, when you’ve got a true story with a happy ending, isn’t that effect almost inherent? According to Moneyball<\/I>, no. Is that a good thing? It depends what you’re looking for. <\/p>\n

Brad Pitt is Billy Beane, the general manager of the Oakland A’s coming off a hot season. However, as Billy frequently says, nobody remembers you when you lose your last game of the season and in 2001, the A’s lost to the New York Yankees in the playoffs. And that’s not even the worst of it. Billy is about to lose his three hottest players and has just $38 million to recoup his losses, a fraction of the budget of most MLB ball clubs.<\/p>\n

In comes Jonah Hill as Peter Brand, a Yale graduate with a pension for baseball. Billy snatches him up from an entry-level position with the Cleveland Indians and makes Peter his assistant GM. Together they use Peter\u2019s computer-based system to put together a championship team on a budget. While most look at players like the injured catcher, Scott Hatteberg (Chris Pratt), and 37-year-old David Justice (Stephen Bishop) as liabilities, Peter and Billy see them as cheap grabs with promising skills.<\/p>\n

There\u2019s something inherently rousing about a true story. A real man out there put his job on the line to go with his gut and win big and that effort is commendable. While on-screen Beane\u2019s actions are also admirable, the result isn\u2019t as rousing as you\u2019d expect. As much as we enjoy films like Miracle<\/I> and Remember the Titans<\/I>, we can\u2019t help but to poke fun at their over-glorified and clich\u00e9 presentations. Then again, when it comes to underdog sports films, that\u2019s generally what we\u2019re looking for. In that sense, Moneyball<\/I> doesn\u2019t deliver in the least and for some that may be disappointing. <\/p>\n

On the other hand, what Moneyball<\/I> does, it does well. Even if you don\u2019t know much about the game, the details are laid out in a simple enough fashion to make them digestible, albeit they aren\u2019t simplified too much for those who are in the know. Both groups will find the concept quite incredible. This \u201cmoneyball\u201d technique ultimately changed the business of baseball. For years and years scouts based their judgments on stats, visual impressions and even personal information. However, Peter\u2019s system basically voids scout perception entirely in exchange for mathematical equations and probability. Even more impressive than the format\u2019s timeliness is its ability to give less wealthy teams a shot. The gap between a better funded team like the Yankees and one like the A\u2019s is absolutely astounding.<\/p>\n

While it\u2019s great that the facts presented have the power to blow you away, Moneyball<\/I> gets into trouble because the characters just can\u2019t compare. Every single performance in this film is top notch and incredibly honest, but few but Beane get enough time in the spotlight. Characters like Peter, the A\u2019s manager, Art Howe (Philip Seymour Hoffman), Hatteberg and Justice all make an impact and earn some sympathy, but there\u2019s room for so much more. <\/p>\n

Even Beane, who\u2019s in just about every frame of this film has a tough time making a connection. Sure, we get a ton of information on him in terms of where he\u2019s at presently and how he came to be the GM of the A\u2019s, but we never get access to what\u2019s going on inside his head, leaving the audience emotionally detached. Then, when the film\u2019s big climax arrives, it\u2019s tough to care and when it comes and goes, you\u2019ll find yourself wondering, \u201cIs that it?\u201d<\/p>\n

Oddly enough, there\u2019s really no denying that Moneyball<\/I> is an impeccably made film, technically. The camerawork is gorgeous, director Bennett Miller delivering aesthetically pleasing imagery without a heavy hand on the camera, almost giving the film a documentary-like feel. This works wonders in conjunction with the set design, which is clearly done to a tee, as you can play a never-ending game of \u201cI Spy\u201d picking out the tiniest details that say something about a character or the environment. Mychael Danna also deserves a great deal of credit for Moneyball<\/I>\u2019s score, while never intrusive, is particularly memorable.<\/p>\n

While Moneyball<\/I> has a lot going for it, some of its assets can wind up working against it. If you don\u2019t have a head for numbers in the least and expect all sports movies to deliver some action and give you chills when the star player fires off that game winning shot, Moneyball<\/I> will come in under par. On the other hand, if you\u2019re interested in getting more of a behind-the-scenes look at baseball via deliberate conversations, this one will open up a whole new wing of the sports movie genre.<\/p>\n

Technical: A-<\/p>\n

Acting: A-<\/p>\n

Story: B<\/p>\n

Overall: B<\/B><\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"Moneyball<\/a>
Moneyball Poster<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Title: Moneyball Directed By: Bennett Miller Starring: Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, Chris Pratt, Stephen Bishop, Nick Porrazzo, Kerris Dorsey, Reed Thompson It’s pretty obvious that the sports genre has a tendency to revel in formulaic inspirational storytelling. But, when you’ve got a true story with a happy ending, isn’t that 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