{"id":69069,"date":"2011-09-29T18:05:32","date_gmt":"2011-09-30T01:05:32","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=69069"},"modified":"2011-09-29T18:09:07","modified_gmt":"2011-09-30T01:09:07","slug":"5050-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2011\/09\/29\/5050-movie-review\/","title":{"rendered":"50\/50 Movie Review"},"content":{"rendered":"

Title: 50\/50<\/p>\n

Directed By: Jonathan Levine<\/p>\n

Starring: Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick, Bryce Dallas Howard, Anjelica Huston, Matt Frewer, Philip Baker Hall<\/B><\/p>\n

When word of this “cancer comedy” hit, the hot question was, “Can cancer be funny?” Not only is the answer to that a solid yes, but director Jonathan Levine and writer Will Reiser make a dismal subject humorous in the most honorable way possible. You may look and sound ridiculous when 50\/50<\/I> makes you laugh and cry at the same time, but the embarrassment is well worth it.<\/p>\n

Adam (Joseph Gordon-Levitt) is your average 27-year-old. He enjoys hanging out with his best buddy, Kyle (Seth Rogen), is working hard to build a career in the radio industry and is attempting to take his relationship with Rachael (Bryce Dallas Howard) another step forward. Everything Adam’s worked for up until this point is thrown entirely off-kilter when he gets some shocking news; Adam has cancer.<\/p>\n

From that point on, everything changes. Kyle opts to use his friend\u2019s situation to his advantage, seeking sympathy from girls, Rachael struggles with whether or not she\u2019s capable of committing herself to the situation and Adam\u2019s mother, Diane (Anjelica Huston), swoops in whether her son likes it or not. The there\u2019s the required therapy sessions. The hospital assigns Adam to Katherine (Anna Kendrick), a 24-year-old pursuing a doctorate and in need of training patients. Not only is his whole existence turned upside down, but Adam must also come to terms with the fact that his chance of survival is merely 50\/50.<\/p>\n

50\/50<\/I> kicks off like a number of dramedies; we meet our straightedge main player, his goofy best bud and the girlfriend that\u2019s out of his league. Adam\u2019s the quintessential awkward good guy. While that may sound rather middle-of-the-road and unremarkable, the film\u2019s humble beginning is quite appropriate as one of 50\/50<\/I>\u2019s most impressive assets is its rousing crescendo.<\/p>\n

Adam\u2019s somewhat subdued reaction to the bad news also leaves the door open for the comedy. Many of the earlier gags come from Rogen while Gordon-Levitt holds strong in the unsuspecting and too trusting position. Kyle maintains his behavior as the film progress, highlighting Adam\u2019s subtle transformation. We don\u2019t watch as Adam struggles through well-defined stages of grief, rather catch the slightest changes in his behavior as well as the effects his situation has on the people around him, resulting in an unassuming story arc that still packs an impressive punch.<\/p>\n

That being said, at times, the portions of the film leading up to that climax can drag the slightest bit primarily due to the fact that they\u2019re a bit repetitive. While Kyle\u2019s tendency to use Adam\u2019s situation to get girls is amusing, the concept is a bit overplayed. Rachael falls into a similar trap, but the fact that you\u2019re not quite certain of her loyalty keeps her rather dynamic. As for Katherine, at first, Kendrick really does seem to young for the role, but then she turns on her Up In The Air<\/I> seriousness, oozing with wannabe professionalism.<\/p>\n

Another issue with that slow burn is that it\u2019s tough to feel Adam\u2019s pain until late into the film. Yes, Levine establishes Adam as a very likable and endearing character from the onset, but because Adam doesn\u2019t have much of a reaction to his initial medical report, the audience doesn\u2019t either. Then again, while that lack of sensation might make you feel rather lost during the earlier portions of the film, when he really starts to accept the consequences and outwardly reacts to them, it\u2019s all the more powerful.<\/p>\n

And that\u2019s what brings us to 50\/50<\/I>\u2019s most notable accomplishment. When it gets to the point at which Adam is seriously tugging on your heartstrings, the supporting characters step in to deliver a handful of incredibly solid laughs. Crying and laughing at the time is a pretty extraordinary sensation and 50\/50<\/I> earns that in the most honest and commendable way possible.<\/p>\n

While 50\/50<\/I> may not wow you all the way through, not a single moment goes to waste. Until the end, it\u2019s very much a moderate feeling and that\u2019s not only something that frames the film in a more realistic light, but also an element that makes the film\u2019s third act as special as it deserves to be.<\/p>\n

Technical: A-<\/p>\n

Acting: A-<\/p>\n

Story: B+<\/p>\n

Overall: A-<\/B><\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"50\/50<\/a>
50\/50 Poster<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Title: 50\/50 Directed By: Jonathan Levine Starring: Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick, Bryce Dallas Howard, Anjelica Huston, Matt Frewer, Philip Baker Hall When word of this “cancer comedy” hit, the hot question was, “Can cancer be funny?” Not only is the answer to that a solid yes, but director Jonathan Levine and writer Will 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