{"id":87312,"date":"2012-03-05T18:49:24","date_gmt":"2012-03-06T01:49:24","guid":{"rendered":"http:\/\/www.shockya.com\/news\/?p=87312"},"modified":"2012-03-05T22:19:06","modified_gmt":"2012-03-06T05:19:06","slug":"silent-house-movie-review","status":"publish","type":"post","link":"https:\/\/www.shockya.com\/news\/2012\/03\/05\/silent-house-movie-review\/","title":{"rendered":"Silent House Movie Review"},"content":{"rendered":"

Title: Silent House<\/p>\n

Directed By: Chris Kentis and Laura Lau<\/p>\n

Starring: Elizabeth Olsen, Adam Trese, Eric Sheffer Stevens, Julia Taylor Ross, Adam Barnett, Haley Murphy<\/B><\/p>\n

I had to do a one-take exercise in film school and while it seemed like far less work, cutting out the large majority of the editing process, it actually turned out to be quite the opposite. Before you can even shoot, you need to go through extensive rehearsals, both for performance and blocking. Lucky for me, my shoot was a mere exercise, so typical fine tuning issues never came into play, but director Chris Kentis and Laura Lau undoubtedly had their work cut out for them when making Silent House<\/I>, not only having to overcome all the caveats that come with making a movie that appears to play out in a single take, but also elevating the technique from being labeled a mere gimmick.<\/p>\n

Sarah (Elizabeth Olsen) and her father, John (Adam Trese), are staying at their lakeside retreat, working to fix the place up and clean it out so they can sell it. Sarah’s uncle, Peter (Eric Sheffer Stevens), is helping out too, combing the house for mold and other wears and tears. If only rats hadn’t chewed through their power cables; electricity would make the work much easier.<\/p>\n

When Peter takes off for the night, Sarah and John are left to finish up what they can alone. A few stray noises give Sarah a spook, but her father quickly writes them off, blaming their old creaky house. However, while packing away her childhood toys, Sarah hears something that she can\u2019t possibly blame on the house. They\u2019re not alone.<\/p>\n

While the story itself is very disturbing, as it\u2019s a remake of the 2010 Uruguayan film that\u2019s supposedly based on true events, it\u2019s the camerawork that\u2019s the most striking element of Silent House<\/I>. The film takes place in real time and is meant to look like it was shot in one incredibly long take. Of course that was not the case, but there still were some notably long shots involved as it takes quite some time to find a point in the film where a cut could have been possible.<\/p>\n

So while Kentis and Lau were very successful in terms of upholding that illusion, we\u2019re still left with the question of whether or not the one take is an appropriate means of storytelling. The shooting style gives Silent House<\/I> a very found footage-esque feel. Someone is literally following Olsen around with a camera and while it is noticeable, it\u2019s never distracting. There are a few instances where the camera is watching Olsen when the viewer would rather be seeing Olsen\u2019s point of view, but generally, as far as coverage goes, the technique is quite effective, especially when it comes to the more horrifying points of the film, which is basically the large majority of it.<\/p>\n

There\u2019s a reason most found footage films fall in the horror genre; what\u2019s scarier than feeling like you\u2019re right in there with the characters? The shooting style of Silent House<\/I> almost makes you feel as though you\u2019re part of the action, like you\u2019re the camera operator yourself, trailing Olsen. When she\u2019s hesitant to turn a corner, so are you. When she\u2019s crouched under a bed trying desperately not to make a sound, you\u2019re right in there with her, perhaps even doing the same.<\/p>\n

Then again, all of the horror doesn\u2019t solely come from the camerawork. Lau\u2019s put together an incredibly solid script, one that keeps the story contained, but also offers up enough fresh scares to maintain a full feature. She also doesn\u2019t drown the first act of the film in exposition. Rather than wade in all the hairy details of the family\u2019s history with the house, Lau simply glosses over them, giving us only what we need to believe the situation.<\/p>\n

From then on, Silent House<\/I> is Olsen\u2019s film. Sure, her performance in Martha Marcy May Marlene<\/I> is impressive, but now that I\u2019ve seen my second Olsen-starring piece, she\u2019s undoubtedly a talented actress. Olsen makes Sarah an instantly likable character, a kind and caring daughter, but also someone with some quirks to her making her the slightest bit unpredictable. She also handles the shooting style brilliantly. It\u2019s one thing to sustain a believable performance, but it\u2019s another to do that and then worry about all the blocking that was likely involved in order to pull off the lengthy takes. While Stevens and Trese most certainly take the back seat, they deliver strong supporting performances, both of which contribute to our concern for Sarah.<\/p>\n

Silent House<\/I>\u2019s only hitch is the ending and that doesn\u2019t really stem from any script or performance issues. In fact, it\u2019s at the tale end of the film that Olsen gets the opportunity to really show what she\u2019s capable of and it\u2019s quite incredible. The issue with the conclusion of Silent House<\/I> is merely a matter of personal preference and what I find scary. It just so happens that the turn the film takes is far less terrifying to me than where I thought it was going.<\/p>\n

Regardless, for anyone looking for a suspenseful experience, Silent House<\/I> is a prime option, showcasing a stellar rising talent and taking something that could have been a mere gimmick and raising it to the level of an effective storytelling tool.<\/p>\n

Technical: B+<\/p>\n

Acting: A-<\/p>\n

Story: B<\/p>\n

Overall: B+<\/B><\/p>\n

By Perri Nemiroff<\/a><\/p>\n

\"Silent<\/a>
Silent House Poster<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Title: Silent House Directed By: Chris Kentis and Laura Lau Starring: Elizabeth Olsen, Adam Trese, Eric Sheffer Stevens, Julia Taylor Ross, Adam Barnett, Haley Murphy I had to do a one-take exercise in film school and while it seemed like far less work, cutting out the large majority of the editing process, it actually turned 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