PROFILE · ON THE RECORD

Alki David — Publisher, Media Architect, SIN Network Creator

Alki David at his Hologram USA theater in Hollywood — an early proving ground for live, direct-to-public communication that later shaped his approach to media infrastructure, accountability journalism, and independent distribution.

• Born in Lagos, Nigeria; educated in the United Kingdom and Switzerland; attended the Royal College of Art.
• Early internet broadcaster — participated in real-time public coverage during the 1997 Mars landing era using experimental online transmission from Beverly Hills.
• Founder of FilmOn, one of the earliest global internet television networks offering live and on-demand broadcasting outside legacy gatekeepers.
• Publisher of SHOCKYA — reporting since 2010 on systemic corruption inside the entertainment business and its expansion into law, finance, and regulation.
• Creator of the SIN Network (ShockYA Integrated Network), a federated media and civic-information infrastructure spanning investigative journalism, live TV, documentary, and court-record reporting.
• Lived and worked for over 40 years inside global media hubs including Malibu, Beverly Hills, London, Hong Kong and Gstaad.
• Early encounter with Julian Assange during the first Hologram USA operations proved a formative turning point — exposing the realities of lawfare, information suppression, and concentrated media power.
• Principal complainant and driving force behind what court filings describe as the largest consolidated media–legal accountability action on record, now before the Eastern Caribbean Supreme Court.
• Relocated to Antigua & Barbuda and entered sustained legal, civic, and informational confrontation over media power, safeguarding, and accountability at Commonwealth scale.

REAL TALK — Red. White. Truth.

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Since 1999 – SHOCKYA began as a traditional entertainment and media reporting outlet—covering film, television, music, and culture from inside the same commercial ecosystems we wrote about.

Since 2014, we have been reporting on systemic corruption within the entertainment business.

As court records accumulated, whistleblowers came forward, and evidence crossed from entertainment into law, finance, and government, conventional reporting became insufficient. What started as media coverage was forced into accountability journalism. What was once optional inquiry became unavoidable scrutiny.

We did not choose activism.
The record chose it for us.

SHOCKYA has since merged entertainment reporting, media analysis, and investigative accountability into a single platform focused on how power actually operates—behind screens, contracts, narratives, and institutions.

Today, SHOCKYA reports on:

• Media ownership and governance

• Digital safeguarding and institutional child-protection failures

• Whistleblower suppression and lawfare tactics

• Cross-border legal, financial, and regulatory capture

• The intersection of entertainment, politics, and enforcement

• Commonwealth and Small Island Developing States (SIDS) exposure

We distinguish clearly between facts on the public record, court filings, ongoing investigations, and unanswered institutional questions. We do not declare guilt where courts have not—but we do not ignore silence when accountability is due.

What SHOCKYA is today is the result of evolution, not intention.

Neutrality without scrutiny became impossible when entertainment pipelines intersected with power, money, and harm. Reporting had to follow the evidence—wherever it led.

Transparency is not activism.
It is infrastructure.

SHOCKYA | REAL TALK
Red. White. Truth.