Title: Le Guetteur

Director: Michele Placido

Starring: Danieul Auteuil, Mathieu Kassovitz, Olivier Gourmet, Francis Renaud, Nicolas Briançon, Jérôme Pouly de la Comédie Française, Violante Placido, Luca Argentero. 

The established Italian director and actor, Michele Placido, defines his new film as the French version of ‘Romanzo Criminale’ (a popular Italian criminal drama, whose movie version was directed by Placido, and was eventually made into a television series). But the director’s high hopes don’t match the actual outcome.

The cinematography of Arnaldo Catinari is beautiful, dark and overbearing, but it clashes tremendously with the director’s style of shooting, that resembles that used for television, with very tight close-ups. The screenplay, written by Cedric Melon and Denis Brusseaux, is lame and unclear: Detective Mattei hunts for the marksman who foiled the plan to catch a notorious team of bank robbers, and as the mysteries unveil, confusion conquers all. Along these lines the acting is lame, despite the talented cast: Daniel Auteuil, Mathieu Kassovitz, Olivier Gourmet , Francis Renaud, Nicolas Briançon, Jérôme Pouly de la Comédie Française, Violante Placido, Luca Argentero.

The general feedback of this Italian-French coproduction has been quite detrimental: during the Cannes Film Festival of 2012 and the past Rome Film Festival the appreciation was pretty feeble, whilst at the Taormina Film Festival the audience started booing. The French box-office has sentenced it as one of the least profit-making movies of 2012, since it has been a total flop. It will soon be out in Italian theatres, we’ll see if the producers of ‘Le Guetteur’ will get even with the Italic box-office.

Technical: B

Acting: C

Story: F

Overall: D

Written by: Chiara Spagnoli Gabardi

Le Guetteur Movie Review

By Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi, is a film critic, culture and foreign affairs reporter, screenwriter, film-maker and visual artist. She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara’s “Material Puns” use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. Chiara is also a Professor of Phenomenology of Contemporary Arts at IED University in Milan.

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