Title: Burnt

Director: John Wells

Starring: Bradley Cooper, Sienna Miller, Emma Thompson, Daniel Bruhl, Omar Sy, Matthew Rhys, Alicia Vikander, Riccardo Scamarcio, Lily James.

Despite the initial intriguing premise of a villainous protagonist, ‘Burnt’ turns out to be a recipe for disaster. And John Wells’ half-baked idea turns sour.

The story is about a tormented Chef: Adam Jones (Bradley Cooper) had it all and lost it. The former Enfant terrible of the Paris restaurant scene had earned two Michelin stars and only ever cared about the thrill of creating explosions of taste. To land his own kitchen and that third elusive star, Jones will need to leave his bad habits behind and get the cream of the crop collaborators on his side, including the beautiful Helene (Sienna Miller).

Along with the American (Bradley Cooper and Uma Thurman) and British actors (Sienna Miller, Emma Thompson, Matthew Rhys, Lily James) the international cast (Daniel Bruhl from Germany, Omar Sy from France, Alicia Vikander from Sweden and Riccardo Scamarcio from Italy) creates an interesting multiethnic dish. Yet, it’s a shame that the film lacks the complexity of flavour to be effective.

Despite Adam’s obsession with creating menus that can give orgiastic experiences to the taste buds, there is no portrayal of this sensory and tactile involvement. Besides having a film that focuses on the art of cooking without  delivering proper visual satisfaction to food porn, the delightfully irreverent approach to the despicable character lacks the courage to doom him. The real pickle of the problem is when Adam starts to regress emotionally the entire story gets grilled by the mushiness of the power of second chances.

‘Burnt’ is intended to be a tale of redemption but it’s too vague on Adam’s backstory for us to acknowledge his emotional growth. We simply see a sudden metamorphosis from one extreme to the other. He starts off as a deranged lunatic, free of his past addictions, who has a tyrannical approach to leadership in his kitchen when he abuses and belittles his staff. Then after a pivotal event he transforms into a zen-like understanding mentor. The outcome is a cheesy “Burnt” soufflé, difficult to swallow.

Technical: B

Acting: B

Story: D

Overall: C-

Written by: Chiara Spagnoli Gabardi

Burnt Movie Review

By Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi, is a film critic, culture and foreign affairs reporter, screenwriter, film-maker and visual artist. She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara’s “Material Puns” use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. Chiara is also a Professor of Phenomenology of Contemporary Arts at IED University in Milan.

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