"Folktronika Schmolkfonika" by Metaspion
“Folktronika Schmolkfonika” by Metaspion

Norwegian Metaspion is an eccentric musician, to say the least. He combines traditional Scandinavian songs with parts of folk and parts of electronic music that’s boils together that becomes completely Metaspion. He’s like Beck, but far stranger, Gothic, and more Scandinavian.

“I want to make people dance and to make younger people curious to check out more of the wonderful treasures that are to be found in Norwegian folk music and folk dance,” said Chris Auman A.K.A. Metaspion in a statement. “The music is still relevant…  I want to bring those vibes and that energy into the electronic music today and combine it with crazy new sounds.”

The album Folktronika Schmolkfonika begins with “Heist” is a sharp way to begin an album with a funky groove and fun-on-the-dance-floor sensibilities. The following track “Not Everything Is Terrible” is feels weighty with deep and soul melody with a thumping beat and wonderful breaks.

The track “Old Rules Don’t Apply” is a real driver with excellent build up to a neat-o groove and a clean production, while “Tveitaaen” expertly combines Scandinavian folk music with inventive house. The song “Render Me Happy” feels like a classic with a mixture of folk and breakbeats that recalls the best of Fatboy Slim and Happy Hardcore.

Worry” is a good stomper with a driving beat that feels dancey and aware, as the track “Indianger” mixes genres and styles into one digestible track.

Zinklars Vise” plays on Scandinavian folk music with a robust percussion and a Gothic twist, as the song “Psycho Dope” certainly feels like the track suggests. Again, a strong Fatboy Slim influence can be felt throughout. “Wasp” raises the stakes with a healthy dose of the bizarre with a wide breath of the eerie. It’s a strong track that perfectly encapsulates the music of Metaspion.

The album ends with the track “Testamente,” which contains the dark and haunting notes with spooky and almost alien Scandinavian folk music through the lense of the macabre. It’s a fitting way to end Folktronika Schmolkfonika.

Overall, the album from Metaspion is truly a bizarre piece of work, and I mean that in a good way. The Norwegian recording artist has a knack and ear for mixing two genres that have no business combining together. However, with Metaspion’s music, it just works.

Songs: B-
Technical: C+
Overall: B-

For more info on Metaspion, check out his Facebook, SoundCloud, and Bandcamp pages.

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"Folktronika Schmolkfonika" by Metaspion

By Alki David

Alki David — Publisher, Media Architect, SIN Network Creator - live, direct-to-public communication, media infrastructure, accountability journalism, and independent distribution. Born in Lagos, Nigeria; educated in the United Kingdom and Switzerland; attended the Royal College of Art. Early internet broadcaster — participated in real-time public coverage during the 1997 Mars landing era using experimental online transmission from Beverly Hills. Founder of FilmOn, one of the earliest global internet television networks offering live and on-demand broadcasting outside legacy gatekeepers. Publisher of SHOCKYA — reporting since 2010 on systemic corruption inside the entertainment business and its expansion into law, finance, and regulation. Creator of the SIN Network (ShockYA Integrated Network), a federated media and civic-information infrastructure spanning investigative journalism, live TV, documentary, and court-record reporting. Lived and worked for over 40 years inside global media hubs including Malibu, Beverly Hills, London, Hong Kong and Gstaad. Early encounter with Julian Assange during the first Hologram USA operations proved a formative turning point — exposing the realities of lawfare, information suppression, and concentrated media power. Principal complainant and driving force behind what court filings describe as the largest consolidated media–legal accountability action on record, now before the Eastern Caribbean Supreme Court. Relocated to Antigua & Barbuda and entered sustained legal, civic, and informational confrontation over media power, safeguarding, and accountability at Commonwealth scale.

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