LOVE CHILD
PBS
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Eva Mulvad
Writer: Eva Mulvad
Cast: Sahand, Mani, Leila
Screened at: Critics’ link, NYC, 9/14/20
Opens: September 14, 2020
When Moses came down from Mount Sinai, his people asked him how it went. The good news is “I got him down to ten,” the lawgiver said. “The bad news is that adultery is still one of them.” Commandments notwithstanding, adultery is probably more common than killing, stealing, even dissing your mother and father. I’ll bet more people say OMG than drink Coca-Cola, so forget enforcing decrees against taking The Name in vain. While we in the West love soap operas with every kind of description of sex outside marriage, parts of the world are just no fun. In Iran, if you’re guilty of violating the Sixth Commandment, you are in deep doody.
The government of Iran says not only Death to America but when they get a chance they think Stone the Adulterers. In this doc, a dramatized one which makes it the kind of nonfiction story that evokes the same audience interest as a narrative drama, Sahand and Leila have a love child conceived four years earlier in Tehran. Mani, the title character, does not understand why her mother and dad are eager to leave everything behind in Iran, but in a way it’s because of him. He is the physical evidence that he was created by his mom, but not by the guy back home who somehow, after three years of marriage to Leila, left her, well, a virgin. The Iranian court would not grant Leila a divorce which even our Catholic church would make short shrift of with an annulment. Instead the judge said “Pray and watch TV.” Maybe they don’t have good stuff on TV like our Drew Barrymore show, and yet somehow, not explained, she does get the divorce.
They’re not looking for a place to exploit workers and make a fortune like people in some countries. They want only to live. They are an educated couple, speaking Farsi, Turkish, English, even Azeri which should make them welcome in many countries, but first they fly to Istanbul and begin a paper chase. They seek refugee status from the UN High Commission for Refugees, which sends their fate into the hands of a byzantine bureaucracy; not ironic considering that they’re filing from Byzantium. They check the UNHCR website eager to hear whether their plea for refugee status is granted, which would allow them to apply for passage to Canada or Australia among other places, but Mani decides for them. He wants America. He never heard of Trump. But Turkey is inundated with Syrian refugees—give the Turks credit for opening their borders to (shock) Muslims (!) and appearing ready to allow them to stay for years if they wish.
As stated above, this is a doc that’s in the welcome format of a narrative drama, one that even takes on the momentum of a thriller. The three stars are not professional actors, but you’d never know. Their lovey-dovey chats and arguments are likely to have been scripted by Danish writer-director Eva Mulvad, whose doc “A Modern Man” is about a Norwegian-English elite violinist, but they sure seem real. Makes you wonder why people go to acting school when all you need is a good director like Ms. Mulvad.
A compelling drama with subtitles in Farsi, Turkish, English and Azeri.
82 minutes. © 2020 by Harvey Karten, Member, New York Film Critics Online
Story – A-
Acting – B+
Technical – B+
Overall – A-