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Maraviglioso Boccaccio Movie Review

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Maraviglioso Boccaccio Movie Review

Title: Maraviglioso Boccaccio

Director: Paolo and Vittorio Taviani

Starring: Lello Arena, Paola Cortellesi, Carolina Crescentini, Flavio Parenti, Vittoria Puccini, Michele Riondino, Kim Rossi Stuart, Riccardo Scamarcio, Kasia Smutniak, Jasmine Trinca and Josafat Vagni.

The Taviani Brothers, have decided to tribute one of Italy’s greatest Renaissance humanist, Giovanni Boccaccio. The “Decameron” which has had many screen adaptations – the most memorable was by Pier Paolo Pasolini –  lives again through the subtle direction of the Tuscan sibling filmmakers, who chose Giotto and Masaccio to inspire their cinematography, scenography and costume design.

The book by Boccaccio is structured as a frame story containing 100 tales, told by a group of seven young women and three young men sheltering in a secluded villa just outside Florence, to escape the Black Death which was afflicting the city. Today there is another kind of pestilence afflicting humans worldwide, the one caused by recession and consequent resignation. With the effort of actualising the masterpiece of classical early Italian prose,  Paolo and Vittorio Taviani have selected five tales that make ‘Maraviglioso Boccaccio’ (“Maraviglioso” as in marvellous in vernacular fourteenth century Florentine) a very female oriented movie. Women are those who take the initiative of leaving the city, of telling the tales, and using art to survive.

One of the pillars in the movie is the Black Death, that like never before has been represented thoroughly as the trigger of Decameron’s storytelling. Young men and women are also at the core of the adaptation, but in connection to the role of genders in the society of those times, as opposed to the blatantly sexual adaptations that have been done through the course of film history.

Despite the extraordinary setting, the cast agglomerates the most national-popular actors in Italy and the outcome of the entire mise en scène is rather soap-opera-like. Therefore this trait strongly penalises a movie that would otherwise be a work of art.

Technical: A

Acting: C

Story: A

Overall: B

Written by: Chiara Spagnoli Gabardi

Maraviglioso Boccaccio Movie Review

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Chiara Spagnoli Gabardi, is a film critic, culture and foreign affairs reporter, screenwriter, film-maker and visual artist. She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara’s “Material Puns” use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. Chiara is also a Professor of Phenomenology of Contemporary Arts at IED University in Milan.

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