Title: A Little Chaos

Director: Alan Rickman

Starring: Kate Winslet, Matthias Schoenaerts, Alan Rickman, Stanley Tucci, Helen McCrory, Steven Waddington, Jennifer Ehle.

‘A Little Chaos marks Rickman’s second film after his 1997 directorial debut  ‘The Winter Guest.’ The 2014 British period drama is the second collaboration of Rickman and Winslet after their 1995 film ‘Sense and Sensibility.’

Love blooms amid the Sun King’s gardens in 17th-century Versailles: A Gallehault indeed, the project that engages two talented landscape artists at Louis XIV’s palace of Versailles.

Sabine de Barra (Kate Winslet) is a fictional proto-feminist figure of lower-class gardener, who shakes up the ordered world of the king’s landscaper in chief, Maître Le Nôtre (Matthias Schoenaerts). Their love story will be opposed by his scheming wife (Helen McCrory), nevertheless despite, Sabine’s tragic back-story and hurdles along the way, love will conquer all.

In defiance of the movie’s visual splendours, it is never as engaging as you might hope, partly because of the predictable storyline and partly because a disappointingly static Schoenaerts, who is no match for the soulful Winslet. The court scenes are more entertaining and Rickman is delightfully wry as Louis. Cherry on top is Stanley Tucci playing the flamboyant brother of the king, the Duc d’Orleans, and Jennifer Ehle, who is touching as his mistress. However the predominant chaos that prevails is how the characters do not connect with each other and prevent the audience from connecting with them.

Technical: B

Acting: A+

Story: C+

Overall: B-

Written by: Chiara Spagnoli Gabardi

A Little Chaos Movie Review

By Chiara Spagnoli Gabardi

Chiara Spagnoli Gabardi, is a film critic, culture and foreign affairs reporter, screenwriter, film-maker and visual artist. She studied in a British school in Milan, graduated in Political Sciences, got her Masters in screenwriting and film production and studied at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles. Chiara’s “Material Puns” use wordplay to weld the title of the painting with the materials placed on canvas, through an ironic reinterpretation of Pop-Art, Dadaism and Ready Made. She exhibited her artwork in Milan, Rome, Venice, London, Oxford, Paris and Manhattan. Chiara works as a reporter for online, print, radio and television and also as a film festival PR/publicist. As a bi-lingual journalist (English and Italian), who is also fluent in French and Spanish, she is a member of the Foreign Press Association in New York, the Women Film Critics Circle in New York, the Italian Association of Journalists in Milan and the Federation of Film Critics of Europe and the Mediterranean. Chiara is also a Professor of Phenomenology of Contemporary Arts at IED University in Milan.

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