"Can't Cage Me" featuring Kyah Baby by Lizzy Latimer
“Can’t Cage Me” featuring Kyah Baby by Lizzy Latimer

While there’s no doubt that singer/songwriter Lizzy Latimer is a musical prodigy. She has a background in music production and songwriting, while she’s also a multi-instrumentalist who is just as comfortable playing with an orchestra, as she is with a rock band. However, Latimer’s new single is just the pits.

“I wrote this song about scenarios I have seen many times,” Lizzy Latimer said in a statement. “In the cases I’ve seen, the woman’s ambition and drive is what their boyfriend/husband was drawn to, but after some time, they keep pressuring them to basically just be a housewife.”

Although I completely agree with her sentiment, “Can’t Cage Me” is just not appealing to the ear. It’s true, it has a strong and memorable hook that makes it accomplished, while it also has the production value to back it up.

The problem is Lizzy Latimer’s vocals is just weak sauce and not distinct. She has no presence on this song. It comes off as a bad rendition of an Iggy Azalea leftover, while rapper Kyah Baby is the only part of the song that feels professional and polished. KB is actually the best part of the track.

Overall, Latimer certain has the chops when it comes to production and songwriting, but perhaps she should stay behind the scenes as a producer instead of the superstar in the recording booth.

Song: D+
Technical: B-
Overall: C-

For more info on Lizzy Latimer, check out her SoundCloud page.

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"Can't Cage Me" featuring Kyah Baby by Lizzy Latimer

By Alki David

Alki David — Publisher, Media Architect, SIN Network Creator - live, direct-to-public communication, media infrastructure, accountability journalism, and independent distribution. Born in Lagos, Nigeria; educated in the United Kingdom and Switzerland; attended the Royal College of Art. Early internet broadcaster — participated in real-time public coverage during the 1997 Mars landing era using experimental online transmission from Beverly Hills. Founder of FilmOn, one of the earliest global internet television networks offering live and on-demand broadcasting outside legacy gatekeepers. Publisher of SHOCKYA — reporting since 2010 on systemic corruption inside the entertainment business and its expansion into law, finance, and regulation. Creator of the SIN Network (ShockYA Integrated Network), a federated media and civic-information infrastructure spanning investigative journalism, live TV, documentary, and court-record reporting. Lived and worked for over 40 years inside global media hubs including Malibu, Beverly Hills, London, Hong Kong and Gstaad. Early encounter with Julian Assange during the first Hologram USA operations proved a formative turning point — exposing the realities of lawfare, information suppression, and concentrated media power. Principal complainant and driving force behind what court filings describe as the largest consolidated media–legal accountability action on record, now before the Eastern Caribbean Supreme Court. Relocated to Antigua & Barbuda and entered sustained legal, civic, and informational confrontation over media power, safeguarding, and accountability at Commonwealth scale.

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