POWDER KEG (Krudttønden)
Samuel Goldwyn Films
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Ole Christian Madsen
Writer: Lars Kristian Andersen, Ole Christian Madsen
Cast: Nikolaj Coster-Waldau, Lars Brygmann, Jakob Oftebro, Sonja Richter, Nicolaj Kopernikus, Martin Greis-Rosenthal
Screened at: Critics’ link, NYC, 7/29/21
Opens: September 3, 2021
The political situation in the U.S. has become so divisive that some say politics has replaced religion as the factor that most divides people. Now, given the satirical banter by late-night comedians like Stephen Colbert, Jimmy Kimmerl and Trevor Noah, much of which was taken up with excoriating comments about the former president, you may wonder why religion gets a free pass—aside from commentary about the cover up of sexual abuses among some fathers of the church, not really a challenge to religious beliefs. So: even in free-speech America (free speech, that is, until you are a victim of cancel culture or are threatened with physical violence for advocating masks), religion goes on an unapproachable dais. We respect each other’s faiths. Yet, it’s not every day that Americans are threatened with death for criticizing a religion, but among radical Islamists, there’s a different story to tell. And Ole Christian Madsen, who directs “Powder Keg, with the original title Krudttønden, the name of a culture center in which a fatal shooting took place in Copenhagen in February 2015, tells an involving story albeit one with physical action reserved for the conclusion.
There are two shootings, actually, both by a radicalized Muslim, a frequent felon named Omar El-Hussein (Albert Arthur Amiryan). Despite his crime record, given Denmark’s liberal treatment of offenders who are often put inside luxury prisons, he is out on parole pending an appeal. His is the most sinister character in a film that wisely avoids a straight documentary in favor of a rich narrative. Omar, who kills one innocent person in each of two shootings in Denmark’s wonderful capital, is sought by Rico, a SWAT team member (Nikolaj Coster-Waldau) who has been battered and is ultimately urged to leave the vigorous requirements of SWAT for a gig that would preserve his life and limbs.
We will meet two other principal characters whose careers in separate avenues of the city will take them together at the conclusion. Welcome Dan Uzan (Adam Buschard), a chief of security at a synagogue who is applying for a better job in logistics; Finn Nørgaard (Lars Brygmann), a journalist-filmmaker who is an advocate of free speech without the “but,” meaning there should be no exceptions, not even against satirical treatment of any religion. When Lars Vilks, a Swedish cartoonist sketches The Prophet as a dog, Omar’s fury passes the point of no return. Though even his buddies at an Islamic club warn him against violent action, he insists, like Rodney Dangerfield, that he gets no respect. What’s more he envisions a caliphate with Islam, “the only true religion,” giving orders to the entire world after the Conquest.
The shoot-up scenes are well done, with one principal character’s becoming a hero and giving his life to stop the gunman when he could have run like the others, though in the second event a man is killed outright. (You can read all about the true story in Wikipedia under Copenhagen terrorist shootings.) I particularly enjoyed Finn’s extended conversation at a dinner in which he tried the patience of his friends, most of whom agreed with Finn, that freedom of speech is freedom of speech. (Though even we in the U.S. can legally bar speech that leads directly to action: applied too late against the former president on January 6.) Characters are given humanity even outside the realm of the central issue. Dan Uzan, ready to move up after delivering security for yet another Bat Mitzvah outside Copenhagen’s Great Synagogue, cannot get a better job for months, rejected by phone time after time. Rico, divorced with two kids, fantasies getting back with his ex-wife. Poor guy has women visiting him for sex, but one of them rejected his call for yet another date saying that he’s too tired for her.
All in all, yet another series of true events done in somewhat fictionalized narrative form, “Powder Keg” is a visceral reminder that when it comes to religion as with politics and opinions of rap music, people do not all think the same. Some will show their differences by damaging the lives and limbs of others.
106 minutes. © 2021 by Harvey Karten, Member, New York Film Critics Online
Story – B+
Acting – B
Technical – B+
Overall – B+