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Honey Boy Review: by Shia LaBeouf, inspired by the actor’s own childhood

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Honey Boy Review: by Shia LaBeouf, inspired by the actor’s own childhood

Noah Jupe appears in Honeyboy by Alma Har’el, an official selection of the U.S. Dramatic Competition at the 2019 Sundance Film Festival. Courtesy of Sundance Institute | photo by Natasha Braier

Thematically “Honey Boy” is focused about the kind of father played by James Lort (Shia LaBeouf) in the way he treats his twelve-year-old son Otis Lort (Noah Jupe). He beats him in one caustic scene, but on the other hand he is a loving fellow in those moments when he acts like a real dad. While you wish he would treat the young lad in a kinder fashion, the way you’d expect in a family like the one in “Leave It to Beaver,” he is still an active person, taking an active interest in the goings on of the boy. So many fathers these days are either passive, too laid-back to give firm support to their little ones, or even worse, they disappear, sometimes for good, other times when on alcoholic binges. This kid on the cusp of adolescence is so cute, really adorable, truly looking for more kindness from James that you wonder how anybody could treat him badly. What’s more, he may be too cute for the father, who has a low-paying job clearing highway trash on the outskirts of L.A., because the boy is actually the breadwinner. He is a child actor preparing for a screen shot in Vancouver, making the father envious of the kid’s talent while at the same time he is so humiliated by being supported by little Otis that in one scene he breaks down and cries.

The script is written by Shia LaBeouf as the principal actor, inspired by the actor’s own childhood, his own feelings about his treatment a couple of decades earlier. The gimmick is that LaBeouf is now playing his father! LaBeouf’s son is played also at the age of twenty-two by Lucas Hedges, his magnificent hair shorn into a crew cut. He is still acting, and in fact the story begins with a bang, as Otis is seen beside a crashed plane, an explosion throwing him back twenty feet in a scene from a “Terminator”-type movie. To an extent, because of his upbringing, the older Otis is a troubled man. After a car crash, Otis, playing out the actual car accident that LaBeouf caused during a drunk driving accident in 2008, is injured in a car crash which lands him in rehab.

The scenes involving the younger boy are the more interesting ones, as we see a child who is coming of age, who continues to film movies while escorted around the set by his dad. One wonders why they’re living in a shabby Motel 6 type of residence given the money that the child is bringing in, surrounded by misfits, one of whom, played by FKA Twigs cuddles with the twelve-year-old in what may or may not be a completed sexual encounter. If the kid is losing his virginity, he is also losing the innocence of childhood by smoking, his father handing him the butts, encouraging his unhealthy habit.

Alma Har’el, the Israeli-born music video and film director, is perhaps best known for her “Bombay Beach,” which won top prize at the 2011 Tribeca Film Festival. That pic deals with three troubled people in a poor community in Southern California, which bears comparison with her current fare. But “Honey Boy” is too loosely constructed with the usual stereotypical life around rehab to be as involving as her earlier contribution.

95 minutes. © 2019 by Harvey Karten, Member, New York Film Critics Online

HONEY BOY
Amazon Studios
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Alma Har’el
Screenwriter: Shia LaBeouf
Cast: Shia LaBeouf, Lucas Hedges, Noah Jupe, FKA twigs
Screened at: Digital Arts, NYC, 10/17/19
Opens: November 8, 2019

Story – C+
Acting – B+
Technical – B
Overall – B-

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Harvey Karten is the founder of the The New York Film Critics Online (NYFCO) an organization composed of Internet film critics based in New York City. The group meets once a year, in December, for voting on its annual NYFCO Awards.

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