DIVINE LOVE (Divino Amor)
Outsider Pictures & Strand Releasing
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Gabriel Mascaro
Writer: Gabriel Mascaro, Rachel Daisy Ellis, Esdras Bezerra
Cast: Dira Paes, Juliio Machado, Antonio Pastich, Rubens Santos, Clayton Mariano
Screened at: Critics’ link, NYC, 10/21/20
Opens: November 13, 2020

Maybe it’s grandiose to think that directors outside the United States are using cinema to channel their disgust with customs and politics here in the United States. Maybe Brazilians never heard of Trump. When I was in Panama, I asked people on the street whether they were familiar with John McCain, who as born in Panama’s Canal Zone—at the time that he was running for President. Nope. Never heard of him.

Still it’s convenient to wonder whether Gabriel Mascaro, who gave us the wonderful film “Neon Bull” about a rodeo hand who dreams of working in his region’s blossoming clothing industry, is thinking of Trump’s faux conservatism in making the allegorical “Divine Love,” but it’s more likely that he’s sending up Brazil’s autocratic leader Jair Bolsonaro who is among our President’s heroes. More specifically, Mascaro takes aim at his country’s conservatism, which like that sensibility in the U.S. favors religious oppression. (Brazil has outlawed abortion with almost no exceptions.)

However, reactionary anti-abortion notions are the flip side of the coin here. The leads in “Divine Love,” Joana (Dira Paes) and her husband Danilo (Julio Machado) are not looking for abortion. On the contrary they are desperate for a baby. Emílio de Melle is their drive-through pastor, regularly consulted by Joana, who makes her living as a notary who deals with divorce documents, but who uses her position to sneak in advice to divorcing couples as she is eager to save their marriages. The pastor advises them to pray for a baby, as God is listening. Joana’s own nuptials are fragile, since try as they may, Joana and Danilo cannot conceive. In a bizarre train of events, the couple take part in a practice by an evangelical group called Divino Amor, a cult believing that to bring back the spark in couples, they should swing. Yes, swing. The members have sex, then switch partners. Hey, I’m not complaining, but Mascaro so much wants us in the audience to believe that they really are swinging that he indulges in long takes with full frontal nudity in a display of soft-core porn.

Say what you want about the excesses of evangelism, but Joana comes through during the third act. Or does she? When she gets what she thinks she wants, her anxieties increase, she is virtually threatened with excommunication, and her husband is ready to bolt. Is “Divine Love” really a criticism of Brazilian extremist politics, a put-down of evangelism with its concurrent hypocrisies? Viewers will likely leave the theaters with much to discuss in a film that introduces many questions with fewer answers. All is told with the benefits of cinematographer Diego García’s vivid colors to complement the sensuality, and best of all a riveting performance by Dira Paes who, like many women worldwide obsessed with getting pregnant, throws the dice with conservative Christianity.

105 minutes. © 2020 by Harvey Karten, Member, New York Film Critics Online

Story – B
Acting – B+
Technical – B+
Overall – B

By Harvey Karten

Harvey Karten is the founder of the The New York Film Critics Online (NYFCO) an organization composed of Internet film critics based in New York City. The group meets once a year, in December, for voting on its annual NYFCO Awards.

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