Interview: Stitches Star Tommy Knight
Tommy Knight (Dr. Who) stars in the new horror comedy slasher Stitches, playing a boy who has a tragic birthday party and finds himself and his guests terrorized by a…
Interview: Stitches Director Conor McMahon
After a children’s party clown’s act is cut short when he dies on the job, years later he’s back from the dead to make sure his next party is a…
Interview: Burma’s Christopher Abbott And Carlos Puga
When you’ve got a film that’s a slice-of-life family drama through and through, you run the risk of forging forward without a hook to make it stand out from the…
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EXCLUSIVE: Interview With Dark Feed’s Victoria Nugent And Blood-Drenched Blooper
Imagine battling bats and being doused in dust and blood on your very first feature film set. So it goes for actress Victoria Nugent on the set of Michael and…
Interview: Simon Killer’s Antonio Campos And Brady Corbet
A filmmaking family just had a sexy, twisted, and enigmatic baby. After working together on films like “Martha Marcy May Marlene” and “Two Gates of Sleep,” Antonio Campos, Brady Corbet,…
New Evil Dead Poster Featuring Shockya.com Acclaim
The release of “Evil Dead” is finally less than a week away, so the promotional material is pouring in now more so than ever. In addition to the social media…
Exclusive: Director Pablo Berger Talks Blancanieves, and Comparisons to The Artist
In 2004, writer-director Pablo Berger delivered an unlikely yet charming little Spanish-Danish comedic hybrid, “Torremolinos 73,” about an exasperated encyclopedia salesman who, along with his wife, accidentally trips into a…
Interview: Family Weekend Press Conference With Kristin Chenoweth And Olesya Rulin
Press conferences are informative, but not typically fun, per se. However, when you’ve got two entertainers front and center who are seemingly very passionate about the film they’re promoting, the…
Interview: Admissions’ Tina Fey And Paul Rudd
When you’ve got a movie starring Tina Fey and Paul Rudd, you’re bound to expect an excess of comedy, however, in the case of Paul Weitz’s “Admission,” the pair runs…